It had all begun on the elevated. There was a particular little sea of roots he had grown into the habit of glancing at just as the packed car carrying him homeward lurched around a turn. A dingy, melancholy little world of tar paper, tarred gravel, and smoky brick. Rusty tin chimneys with odd conical hats suggested abandoned listening posts. There was a washed-out advertisement of some ancient patent medicine on the nearest wall. Superficially it was like ten thousand other drab city roofs. But he always saw it around dusk, either in the normal, smoky half-light, or tinged with red by the flat rays of a dirty sunset, or covered by ghostly windblown white sheets of rain-splash, or patched with blackish snow; and it seemed unusually bleak and suggestive, almost beautifully ugly, though in no sense picturesque; dreary but meaningful. Unconsciously it came to symbolize for Catesby Wran certain disagreeable aspects of the frustrated, frightened century in which he lived, the jangled century of hate and heavy industry and Fascist wars. The quick, daily glance into the half darkness became an integral part of his life. Oddly, he never saw it in the morning, for it was then his habit to sit on the other side of the car, his head buried in the paper. One evening toward winter he noticed what seemed to be a shapeless black sack lying on the third roof from the tracks. He did not think about it. It merely registered as an addition to the well-known scene and his memory stored away the impression for further reference. Next evening, however, he decided he had been mistaken in one detail. The object was a roof nearer than he had thought. Its color and texture, and the grimy stains around it, suggested that it was filled with coal dust, which was hardly reasonable. Then, too, the following evening it seemed to have been blown against a rusty ventilator by the wind, which could hardly have happened if it were at all heavy. ("Smoke Ghost") . Fritz Leiber
Quiet people have the loudest minds.
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Stephen King
The best of humanity's recorded history is a creative balance between horrors endured and victories achieved, and so it was during the Harlem Renaissance.
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Aberjhani
And one thing we know is real: horror. It is so real, in fact, that we cannot be sure it could not exist without us. Yes, it needs our imaginations and our consciousness, but it does not ask or require our consent to use them....
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Thomas Ligotti
[Horror fiction] shows us that the control we believe we have is purely illusory, and that every moment we teeter on chaos and oblivion.
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Clive Barker
The truth of the matter was something much more subtle and tremendous than any plain physical miracle could ever be. But never mind that. The important thing was that, when I did see the stars (riotously darting in all directions according to the caprice of...
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Olaf Stapledon
More Quotes By Fritz Leiber
Also, in the dismal Cold Waste, any man treasures illusions, though knowing them almost certainly to be such.
At that instant the hag's noisy breathing stopped and with it all other sound. Her eyes opened, showing only whites - milky ovals infinitely eerie in the dark root-tangle of her sharp features and stringy hair. The gray tip of her tongue traveled like a...
Fafhrd stopped, again wiped right hand on robe, and held it out. "Name's Fafhrd. Ef ay ef aitch ar dee." Again the Mouser shook it. "Gray Mouser, " he said a touch defiantly, as if challenging anyone to laugh at the sobriquet. "Excuse me, but...
What matters is that life is good. It has a lovely texture, like some rich cloth or fur, or the petals of flowers, and everything else worthwhile. And that's as true for the last man as the first.
The dark dangerous forest is still there, my friends. Beyond the space of the astronauts and the astronomers, beyond the dark, tangled regions of Freudian and Jungian psychiatry, beyond the dubious psi-realms of Dr. Rhine, beyond the areas policed by the commissars and priests and...
